Courtesy of
MoneyLaw , I present a psuedo-
synesthetic presentation of Gillian Welch,
Wrecking Ball ,
Soul Journey (2003):
Gillian Welch, Wrecking Ball A little deadhead . . . playing bass under a pseudonym Farmer in the Pogonip . . . colors I'd never seen The Santa Cruz Garden Mall
Gillian Welch, Wrecking Ball Well now boys, I'm a rollin' stone That's what I was when I first left home I took every secret that I'd ever known And headed for the wall Like a wrecking ball Started down on the holy road of sin Playin' bass under a pseudonym The days were rough, and it's all quite dim But my mind cuts through it all Like a wrecking ball Oh, just a little deadhead Who's watching? who's watching? I was just a little deadhead A fallen daughter on a scholarship Well, I got tired and let my average slip Then I was a farmer in the Pogonip Where the weed that I recall Was like a wrecking ball I met a lovesick daughter of the San Joaquin She showed me colors I'd never seen Drank the bottom out of my canteen And left me in the fall Like a wrecking ball Standin' there, in the morning mist A Jack & Coke at the end my wrist Yes, I remember when first we kissed Though it was nothing at all Like a wrecking ball Hey boys, a little deadhead Who's watching? who's watching? I was just a little deadhead With too much trouble for me to shake Oh, the weather and the blindin' ache We was ridin' high until the '89 quake Hit the Santa Cruz Garden Mall Like a wrecking ball
1 Comments:
Well I wrote the analysis of Gillian Welch's Wrecking Ball that I said I would. Talk about over analyzing!
http://www.documentedlife.com/log/?p=377
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