Complexity, IPR Rights and Innovation Ecologies
I say unto you: one must still have chaos in oneself to be able to give birth to a dancing star. I say unto you: you still have chaos in yourselves.— Zarathustra
Part 1 — IPR Rights Considerations
In a recent editorial in Science, Bill Wulf used the systems ecology model to frame a forward-looking model for innovation in the life sciences. He defined an “innovation ecology” as the various “interrelated institutions, laws, regulations and policies” necessary to underwrite successful commercialization of publicly funded research through an “infrastructure that entails education, research, tax policy, and intellectual property protection, among others”.
In this formulation, as we have seen increasingly over the last few decades, intellectual property and regulatory (IPR) rights form the linchpin between innovative medical research and the marketing and consumption of approved medical products.
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These 'systems' frameworks view and model systems as dynamic, adaptive and indeterminate networks where the behavior of the system as a whole is governed by the ever-changing and non-linear nature of the connections between actors and institutions rather than as a predictable sum of a set of linear deterministic nodes.
The implications of a systems view of areas of law, such as environmental law, that are strongly contingent on science have been insightfully described by JB Ruhl, including in this blog. Reading over JB’s posts and articles from the perspective of someone who has spent nearly 20 years at the experimental bench prior to entering legal scholarship got me thinking about the value of this approach to the generation of breakthroughs in the life sciences and the policies now being advanced globally for this purpose, particularly those aimed at enhancing domestic productivity and prosperity.
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So, what has complexity theory have to say about the tension between strong ‘closed’ IPR rights on the one hand and more ‘open’ systems of innovation that depend on the inherent creativity and inventiveness of persons skilled in the art (PHOSITA) in an increasingly global product development context? A lot, at least in theory. I will explore this in the second post.
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